New evidence of symbolism in South-Eastern Europe: Upper Paleolithic rock art in Croatia sciencesconf.org:uispp2018:176549 |
Illumination, Embodiment, and Cooperation Among Upper Paleolithic Cave Artists sciencesconf.org:uispp2018:179642 |
Understanding space perception by a contextual study of decorated areas of Cussac (Dordogne, France) sciencesconf.org:uispp2018:179831 |
Human tracks in the cave of Fontanet (Ornolac-Ussat-les-Bains, Ariège, France). sciencesconf.org:uispp2018:180076 |
Traces of human activities in Kapova cave (the Southern Urals, Russia) sciencesconf.org:uispp2018:180133 |
The light of the paleolithic artists sciencesconf.org:uispp2018:180167 |
'Action art' – a linear-art modus of the Terminal Pleistocene sciencesconf.org:uispp2018:180346 |
The Mesolithic footprints at Formby: Adapting to a dynamic coastal environment sciencesconf.org:uispp2018:180526 |
Prehistoric traces and pathways insite of the Ojo Guareña caves (Burgos, Spain) sciencesconf.org:uispp2018:181023 |
Blundering about in the darkness. Controversial interpretations of Magdalenian findings in Enlène (Ariège, France) sciencesconf.org:uispp2018:182175 |
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