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Programmes > Par Session
Men and Animals. Antropozoomorphic and animal's masks in rock art sciencesconf.org:uispp2018:175498 |
New interpretative hypotheses on the new interpretation of the Venus à la Corne, a Palaeolithic bas-relief figurine sciencesconf.org:uispp2018:179110 |
Settlement spatiality reflecting spirituality. Searching for higher order cultural expressions of Final Palaeolithic communities in Northwestern Europe. sciencesconf.org:uispp2018:180225 |
AN UPPER PALAEOLITHIC CALENDAR TYPE IN NORTHERN EURASIA sciencesconf.org:uispp2018:180897 |
The bucranes in the domus de janas: symbols of a funeral ideology or effect of human actions mutually connected with social structures? sciencesconf.org:uispp2018:181810 |
Unbridling the Past: The Visual Language of Animacy in Paleolithic Cave Painting at Chauvet sciencesconf.org:uispp2018:189386 |
The use of ancient symbols through times sciencesconf.org:uispp2018:200608 |
The answers are written in the stone sciencesconf.org:uispp2018:200616 |
Forgotten myths and memories, the art of Early Gatherers: from Tanzania to a world pattern sciencesconf.org:uispp2018:200653 |
Early medieval slavs in their myths and archaeology sciencesconf.org:uispp2018:200707 |
Changing intellectual and spiritual expressions of the nomadic birhor in Jharkhand sciencesconf.org:uispp2018:200710 |
The Har Karkom rock art from the Hellenistic to late Byzantine period. Man as the centre of the Universe sciencesconf.org:uispp2018:200713 |
Iconography and orality: mnemonic patterns of meaning within the Neolithic societies of Old Europe - c. 6500-3500 BCE. sciencesconf.org:uispp2018:200716 |
Why our understanding of the emergence and early development of pictures in ontogeny must undergo a revision, and what this revision may offer for the understanding of early prehistoric pictures sciencesconf.org:uispp2018:200720 |
New perspective on the theory of the "main myth" sciencesconf.org:uispp2018:200736 |
New content of understanding the Indo-European original homeland (Urheimat) sciencesconf.org:uispp2018:200737 |
Kirtimukha: A Piece of Art that Communicated sciencesconf.org:uispp2018:200738 |
Ethno rock art: beliefs, rituals and experiences, the study of ferocious depictions inside Khoh in light of believers of Kaimur inhabitants sciencesconf.org:uispp2018:200739 |
Ataegina: a peninsular deity sciencesconf.org:uispp2018:200875 |
Paired megaliths with sculpted images facing sunset at the summer and winter solstices and the implication of paradisiacal belief sciencesconf.org:uispp2018:200883 |
The Neanderthal construction in Bruniquel Cave, France – the origin of myths through the anthropological structuralism discussion sciencesconf.org:uispp2018:211084 |
Memories: ground for myth sciencesconf.org:uispp2018:211096 |
The HeLanShan god rock painting is the proof of Zhuan Xu颛顼 and Buddha's portrait sciencesconf.org:uispp2018:211127 |
The conservation of cultural heritage, art and society sciencesconf.org:uispp2018:211128 |
The memory between repetition and creativity sciencesconf.org:uispp2018:211592 |
X-Ray style anthropomorphs in Rock Art: the challenge of interpretation sciencesconf.org:uispp2018:211594 |
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