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Programmes > Par Session
DStretch documentation of a spectacular polychrome rockshelter sciencesconf.org:uispp2018:175159 |
Processing GIGAPIXEL images with DSTRETCH. Some guidelines for rock art researchers sciencesconf.org:uispp2018:178741 |
Looking back and forth from the experience of “4D · arte rupestre” projects sciencesconf.org:uispp2018:178768 |
Technologies 3D appliquée à l'étude de l'art paléolithique : possibilités, apports et limites. sciencesconf.org:uispp2018:180572 |
La Pileta 100 years later. Comprehensive study through New Technologies of an exceptional cave. sciencesconf.org:uispp2018:180583 |
The Future of Rock Art and Monument Documentation with Implications for Technology Integration, Dissemination and Learning, and Resource Preservation sciencesconf.org:uispp2018:180810 |
Traceological Study of Cave Art in Dordogne: 3D instead of microscope? sciencesconf.org:uispp2018:180853 |
Using 3D modelling to record prehistoric rock art: first approaches on engraved panels of Ségognole Rock shelter in Paris Basin sciencesconf.org:uispp2018:182616 |
Project “Comprehensive recording of Cueva Pintada de Gáldar” (Gran Canaria, España): challenges, solutions and future perspectives sciencesconf.org:uispp2018:182936 |
On the limits of 3D capture. A methodological proposal for the recording of thin incised engravings sciencesconf.org:uispp2018:183674 |
Between Palaeolithic cave art and modern graffiti – the Grottes d'Agneux in Rully (Saône-et-Loire, France) sciencesconf.org:uispp2018:183682 |
Étude et documentation des plaquettes gravées de la Grotte de la Cocina (Valence, Espagne): de la loupe binoculaire à l'imagerie 3D. sciencesconf.org:uispp2018:184848 |
The common methodological bases in the restitution of Paleolithic Rock Art. sciencesconf.org:uispp2018:185207 |
Experimenting and Valuating Interdisciplinary Analysis on Prehistoric Portable Art Objects sciencesconf.org:uispp2018:185336 |
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